I’m not going to talk here about “plot-driven” versus “character-driven” stories, because that’s a distinction made by critics, which is to say, from the outside looking in, whereas most writers find plot and character to be so thoroughly intermingled that talking about one as though it excluded the other feels pointless.

It is fair to say, though, that some stories have more in them by way of external incidents than others do, and that one of the tricky parts of writing a story like that is fitting all of the incidents together into a smoothly-working vehicle that carries the reader to whatever place it is that the writer wants them to go.  (Where that place is doesn’t really matter; it could be a quiet moment of personal epiphany, or it could be the final battle in the desperate struggle against an invasion of machine intelligences from an alternate dimension.  What’s…